"It is a cruel, ironical art, photography. The dragging of captured moments into the future; moments that should have been allowed to be evaporate into the past; should exist only in memories, glimpsed through the fog of events that came after. Photographs force us to see people before their future weighed them down...."
— Kate Morton (The House at Riverton)

Multiple Personality Disorder (MPD) is regarded to the Human Memory, not in its clinical definition, but rather serves as a new interpretation of discourse, an invitation to experience the distorted relationship between the artist and the viewer.


Sebbag's choice to deal with emotional memory fragments commemorating and physical life experiences is not coincidental. The Selected Video Arts function as responsible bodies, imitating an embroidered map, and whishes to interpret the emotional and physical state of being.
 
Using her personal and family life in an obsessive documentation quest, Sebbag seeks to expose and involve the viewer in her art: through tackling the personality of the artist as an object being "investigated" in a pure occurrence focus, Sebbag seeks to verify the internal investigation, while at the same the viewer's reaction to the scene is playing a key component in the artistic relationship created.

The Traces of blurry characters in the Videos reveal a new containing side, a dimension that repeatedly deconstructs an obsession, as an alchemist aiming at dismantling the existing operation while creating new fragments that rise to the same "or" independent, and create a new parturition of an aesthetic process in what might be a clinical medium.